Hey all,
In part 9 of this series looking at chromatic approaches, we’re looking at using single chromatic approaches from both directions to minor triads!
Combining approaches to the chord tones from both directions gives you some very useful (and powerful) tensions against the chord, and we’ll look at an example groove i’ve written to demonstrate.
Enjoy!
For those of you who are paid subscribers, you’ll need the expanded PDF linked below for the additional bonus groove!
